Since November 2002 I work alongside with Charly Bainsky. He supports me as a audio and sound engineer, to compile thee material that has been conceived. Originally, I started to rework my former MIDI creations, with the goal to get some perfection of them, with updated sounds.
Because I was acting like a rockstar in one of my porn movies, I thought that this rockstar requires a earworm – a hit. So I produced and sang ‚Ballad of a dying man‘ (check: The green album). This composition that I made during my later adolescence were exclusive for that film. In the following period, one could have enjoyed my voice again and discover new tonations. I added my vocals to all of my previously recorded instrumentals and reworked some of the songs. Such tracks had been chanting along during my days as a street musician.
Concurrently, Charly Bainsky, who had a background as a sound engineer working for bands and live events, got into club music and started to create some basic grooves for me to play around and arrange with. This had the advantage to put my attitude of ’not wanting to be pigeonholed‘ on a solid and appealing foundation.